Ah yes, that WIP of fem!England’s fashion series…
Alot of things have happened, like family members in hospitals, moving back on campus, etc, but don’t worry, I haven’t abandoned this project!
Tuesday Tips - SHORTHANDS
It’s crucial to find ways to draw characters clearly and fast when storyboarding. Line mileage alone can become an impossible mountain to climb if you don’t simplify the way you draw characters. Leave all details aside and find the essence of a character. Shorthands are the gesture drawings of storyboarding. Specific characters have specific attributes that make them stand out. Sometimes it’s just the way they stand. Sometimes their hairstyle is unconventional. Find what’s key about a character and get rid of what’s common.
I’ve been world-building and stuff alot recently, so now I want to draw OCs in the traditional clothes of their (fictional) countries/peoples, so yea. I might rework this because I want to get a different angle of her hair.
Also sitting cross-legged in a skirt is hard to draw sometimes. :P
Anatomy of the Rapier
There are a lot of things that could be said and mentioned here, the rapier being quite a complex weapon, but this short and quick presentation should do.
A rapier is a long, straight-bladed cut-and-thrust single-handed sword optimized for the thrust and featuring a guard that affords good protection to the hand; the rapier sees its apogee between the last third of the Sixteenth Century and the end of the Seventeenth.
The rapier anatomy of the rapier is broken into two distinct parts: The blade, and the guard.
- Anatomy of the Blade
The blade of the rapier describes the long sharpened piece of metal which all the other parts surround or attach.
At the base of the rapier blade is the tang, which is a long tongue of metal that descends into the guard and ends at the pommel which is screwed onto threading or attached more permanently through [peening] or welding.
The unsharpened section of the blade beginning immediately after the tang. When placing a guard onto the blade, the crossbar block slides over the tang and then rests against the ricasso, preventing it from sliding further down the blade. The ricasso can extend from the crossbar block to the outer sweepings or guard shell (meaning the sharpened or more tapered edge of the blade begins immediately after the guard) or further down the length of the blade. The edges of the blade at the ricasso are square/flat.
The sharpened part of the blade is generally what is referred to when speaking of the ‘blade’. This part begins after the ricasso and is the part of the sword used for striking and defending.
The edge of the blade is oriented with the crossbar of the guard and aligns with the knuckle of the hand when holding the sword so that the knuckles lead the edge. On a rapier there are two edges that you can identify when it is held: the true edge (on the same side as your knuckles) and the false edge (on the same side as the base of your thumb).
The part of the blade opposite the tang and pommel that is used for penetrating the opponent.
The lower half of the exposed rapier blade, generally used for defense. In Italian the Forte.
The upper half of the exposed rapier blade, generally used for offense (cutting and thrusting). In Italian the Debole.
- Anatomy of the Guard
The guard of the rapier is the part that protects the sword hand of the wielder.
A counter weight at the base of the blade, just behind the guard.
- Turk’s Head
A spacer between the counter weight and handle.
The part of the rapier that you hold. Handles can be made of wood, wood wrapped in wire, wood wrapped in leather, and some other materials. Some handles are shaped to provide comfortable grooves for your fingers or provide other handling or comfort characteristics.
- Crossbar Block
The crossbar block or alternatively the quillion block is a piece of metal that mounts to the blade just above.
The crossbar or quillions are a rod that extend perpendicular to the blade, on either side, and are used for protecting the hand, binding blades, and deflecting the sword of the opponent.
The rings and other rods that make up the guard and protect the hand.
- Knuckle Guard
Sometimes referred to as the knuckle bow, the knuckle guard is a bar or bars of metal that extend down in front of the sword hand, protecting the knuckles. The knuckle guard can be used to identify the true edge of the sword.
The cup or shell is a solid plate of dished metal that surrounds the hand, typically in place of the sweepings, but sometimes in combination on some guards.
liking a character that’s a villain aka frequently dealing with
- people with the “they’re just misunderstood” mindset
- people with the “how can you like them do you agree with every single thing they’ve done you don’t constantly bring up every bad thing they’ve done every second every time you talk about them so you obviously must agree with them and the bad things they’ve done” mindset
if you’re interested, this person is trying to organize a food/meal drive for elementery school kids in Ferguson.
schools in Ferguson have been closed since Monday and that’s where a LOT of the kids in Ferguson get their food from, to explain how important this is.
how 2 draw trees like me
my entire life has been a lie
You see kids, even if you’ve been carrying around an unchanged character design character for years, don’t be afraid to play with it. As the story changes, they need to change along with it, and it’s not the same tale you came up with when doodling in class. You might just find something even better, and if not, you can always go back to the original look.
I really like the updated design on the right, btw. He looks so much more his age and fits into the world better. His personality’s still there, though I think it shines through more now. Also his original design looks like it could have fit into any generic anime, but here you can get a feel not only of the character, but maybe a little of the type of world or society he’s from.
Sally’s Coloring Tutorial #2 / #1
I love using this style when I want to do a quick doodle or have to draw lots. No matter how messy the coloring may be, the watercolor-like texture makes it look pretty decent.
I thank you again for taking interest in my art. Please tag me if you ever try it out because I’d love to see it! /w\ Hope this is helpful.
A quick redraw of an old picture of Saya, partially because I can draw better now, partially because I like how this stylization is more retro (even a little art deco), which fits things much better.
A quick thing of Morgianna I splashed with a pinkish palette. I like the movement in this but I really need to stop using my cellphone for everything…
I’m bringing this back from the depths of hell